5/13/2019 0 Comments
The CW television network announced this week that superhero Batwoman will get their TV series. Soon, the first video announcement followed. This DC-even hero would embody an Australian model and actress Ruby Rose (John Wick: Chapter 2) who has already starred in last year's Elseworlds TV show during which she appeared in the Arrow, The Flash and Supergirl series episodes.
The Batwoman series will follow a superheroine who, following the disappearance of her mentor Batman, is trying to stop the threats to Gotham City - from street criminals to diabetic super defenders. Caroline Dries (Smallville, The Vampire Diaries) will lead the screenwriting team of the series. In addition to being the executive producer of the series, the comedy writer, film screenwriter and producer Geoff Johns (Aquaman, Wonder Woman 1984), a veteran of the Game of Thrones series David Nutter and the legendary TV producer Greg Berlanti.
It is precisely Berlanti the spiritual father of the so-called Arrowerse - the common TV universe of DC heroes whose construction began in 2012 with the superhero series Arrow. Under Berlinen's lead and in the acting performance of Stephen Amella, the second-class DC's super-hero Green Arrow was transformed into Batman's ersatz. The series's success brought The CW to a series of other superhero series, followed by The Flash (2014), Supergirl (2015), Legends of Tomorrow (2016) and Black Lightning (2018).
Although it is not yet clear exactly when Batwoman will arrive on small screens, it is assumed that he will join other DC's TV heroes in the fall of this year.
Gam is returning to its roots.
HEAVY SPOILERS FOR THOSE WHO HAVE NOT SEEN
After the intense and tense third episode in which the dead beat the dead, we can finally get some sleep. The Night King is dead, as his entire army. That's exactly what the creators of the series wanted - to take the dead out of the focus to commit themselves to the conflict between the living. We did not find out anything about the history of the army of the dead, nor about the motivation of the Night King. The seven-year-old hippopotamus was completely demolished in an episode. It seems that the first spinoff will offer some answers, but what is important at the moment is GoT, which every week does not surprise, fascinate and occasionally disappointing.
The fourth episode, in my opinion, is the best in the eighth season. After many hurdles in the previous one, this returns to the roots. Excellent dialogues and acting, twists and political intrigues. From the first scene I was hissed (John's speech - an hour). The first five minutes had a greater emotional impact than the previous episode.
After a long time, Tyrion is in the lead role in one episode. Peter Dinklegg is awesome in the role of Tyrion, but how to forget how much he can contribute to an episode. Thyron is loyal to Daenerys, but we can see how this dedication is tested when Vary offers a number of arguments why she would be a bad queen (and Varis is another character who returns to old glory in this episode).
Their conversation focuses on issues that have been ignored in the last two seasons. How should the true ruler of Westeros look like? Is it better to be a man or a woman? Can two sit on the throne? More importantly: loyalty to the family or to the kingdom (realm - I do not have a more suitable translation)? In these conversations, we can feel that the solution will not be completely positive. Tirion expresses optimism ("Why cannot both of them rule?") But he himself does not believe in that statement. Victims must have and must make everyone with their choices. Varis is the protector of the kingdom while Tirion is loyal to Daenerys. It seems that it puts the two on the opposing sides of the chessboard.
John is facing similar difficulties. John is the most sophisticated character in the series, which completely resembles his "father" Ned. On the one hand, he loves Daenerys and will do everything to preserve the loyalty to her. On the other hand, it can not lie to Sansa and Aria for his true descent. Ned lived for years with the secret only to save John's life and preserve peace in Westeros. But John cannot live with the same secret without sharing it with his half-sisters. The same information spreads like a plague. It makes John the target, for good or for bad. But that's the choice he made himself and who he will have to live with.
The least favorite character in my episode was Daenerys, but I think that's the director's point. Daenerys is more like her father (the Mad King), but for bad reasons. It moves away from everyone and is thirsty for power. He must have the throne just for himself, at all costs. The only loyal counselor to whom he trusted with all his heart was Jorah. Another such character was Misendei. Now both of them are dead, and relations with John begin to cool down.
The ambush in which Danerris and her little army fell, was the main surprise that was devastating to one of the dragons (Rhaegal). How did they not notice Eron's fleet and how could he have been so precise and not once to get out of the first three attempts? Why did Searsi (who, contrary to the speech of Tirion, really turned into a monster) simply did not finish down Daenerys and her poor army when they were in front of her gates? These are questions that we need to ignore.
Nevertheless, the battle between the living reaches its climax. There are more questions left, but if you keep the spirit of this episode I expect to receive satisfactory answers.
And she's here! The episode in which we had the opportunity to see the event announced as the "battle of all the battles", an event that the spectators of the Game Throne series have been waiting for almost ten years, and readers of "The Song of Ice and Fire" even longer. The events in which our heroes finally greeted Winter and confronted the legions of the Night King. Indeed, this was an episodic no-one ever seen, probably the most spectacular event ever seen on small screens, an episode that reached the movie standard, at least as far as visuals are concerned. Expectations were great, especially after last week's episode that impressed us and reminded us of the best moments of the series; episodes in which the roles are further elevated. Unfortunately, as for the complex narrative, as well as the performance of the action after eight seasons, the episodes have subsided. Because Winter, which was supposed to threaten Westeros and its inhabitants, ended as a snowball, while the chaotic battle ended with a whisper.
The battle of all the battles ...
And so it started well. The Long Night began preparations for the battle, dominated by the tensions of the upcoming apocalypse. Instead of looking at this preparation through the eyes of experienced warriors, viewers are placed in the skin of a person who is at least ready for such an event - Samwella Tarly. So at the meta-level, we could experience all the horror of conflict for which both Sam and the viewers are unprepared. This prospect also enabled us to gain insights into the defense strategies of the Shrinking, the settled regiments of the North Army and the Targaryen, through the trenches filled to the stairs, up to the ramparts of the fort. Ironically, because of this perspective, viewers only had a brief opportunity to see all the weaknesses of this strategy ... the weakness that will be felt in the next few minutes of the episode. As warriors build up, those who can not fight, including Tyrion, are sent to the "security" crypt. And this decision is ironic, which we will soon see. Tensing has also contributed to the darkness, which will become a trademark of the episodes, in which both Sam and spectators can hardly have a chance to figure out what's happening around them. At the last moment, before the Legion of the Night King goes into their attack, the Lives of the Living gets so much hope for the arrival of the Red Woman. Melisandre was somehow broken through the ranks of the Dead, and he came to "bless" the Drakes of Dothraki.
Unfortunately, no matter how good and tense the episode was the first scene, and as promised, this is the moment in which the action moves downhill, and in which spectacle goes beyond logic. Because the battle that follows is not only chaos but also a confirmation that scriptwriters David Benioff and Dan Weiss without a literary script are unable to grasp the grandeur and complexity of the original narrative. The first point is the breakdown of the strategy. If there was any hope that we would see a meaningful battle, the Dothraki cavalry was safely denied. Juriš is a visually spectacular scene, which we have to thank for the excellent directing of veteran Miguel Sapochinik. It is a frightening and effective way to see how the flames burn in the darkness - while the legions of the Dead literally eradicate Dothraki from the face of the earth. It is commonly understood that such a decision, the elimination of the horsemen, has been helped by the budget concern, which is, though large, still limited, and should not be overlooked by the complications of horses in the dark. But it is impossible to ignore the fact that every man with a sense of reason would see this tactic as something pointless. Even if Dany and Jon were not capable of war planners, it would have been expected that someone, perhaps Ser Jorah Mormont (who was running an assault!), Would object to such a decision. Scene simplicity does not help you to follow the launch by launching a missile catapult located in the first row (!). Not only is the scene unimaginable, but such an inexpensive elimination of the best horsemen that Essos and Westeros have had a chance to see irretrievably harmed all that we have learned in past seasons. A and eliminate one of the two elements on which Dany based his power. Can Dany still call Khaleesi?
Loss (all?) Dothraque disrupted the whole strategy since Daenerys was shocked by this loss (though, the question arises, what did he expect?) Decided to leave the command post and join the Battle of Dragon. Poor Jon (who, as he will show, still knows nothing), there was nothing left to join his ally. As the dragons get into the air, the warriors, demoralized by the loss of the cavalry, are saved for a fight with the legions of the Dead.
And this would be a fatal crash, it is shown after Drogon ignited the first line of the striker. The dragons and their fire are indeed a strong trump for the Living, as recognized by the White Walkers, who call for a snowstorm. The storm brings low visibility, which additionally strengthens tensions, and brings chaos to battle. Also, such conditions allow the Night King an individual attack on Dany and Jon, denying their numerical advantage. This is also a problem for viewers because of poor visibility we are unable to understand what is actually going on, and where it happens, which weakens the impression of the scene itself.
The same applies to events on earth. After being left without air support, the Hierarchs of war retreat behind the trenches, while the Dead unhurriedly advance. The loss of dragons, prevented the execution of the next phase of the battle, because without the dragons the trenches cannot be burned, which allows the unhindered passage of the enemy. There is once again a question of the meaningfulness of the strategy because relying on only one element in such a fateful battle is very questionable. Luckily, Melisandra is not in vain, and after a few attempts, she manages to invoke R'hallor's help, and the huge flame wall stops the Dead at last. Well, not for long. The dead are, um, dead, so they do not need long before their numbers show that any strategy is superfluous. Once again, the Living is forced to pull, this time behind the walls of the fort, while the Dead cross the flame and tighten the ring. Even the Gray Worm, a tried warrior, loses his balance and orders the withdrawal of the Unholy. So in a very short period of time, we ended up with the Lives practically pushed against the wall, because there is no room for rest anymore. This provides an opportunity for another spectacular scene, while we see that the flanges of the Neo-Shapes break into the unstoppable River of the Dead, which now descends along the ramparts, and arrive at the fort. However, once again the question of defense arises, because the defenders on the ramparts are relatively small, and it seems that the potential of the obsidian, ie, Dragon glass, neglected.
In any case, the breakthrough within the walls of Ostrozimlja means the end to the security of his defenders, and the battle turns into uncontrollable chaos. This gives us the opportunity to see the scenes of heroism, as well as the first serious losses on the part of the Living, such as the sacrifice of the Grievous Eddie to save Himself. Although a strong scene, the question remains why Sam, who has been portrayed as a person who was unable to fight from his first appearance, was not sent into the crypt, and thus became a danger to the people around him, as confirmed by the fate of the unfortunate Black brother. A much more suitable end is the small Lyanna Mormont, who showed that the size was not everything, and sacrificed to eliminate one of the greatest nuances of the Night King, the undead diva, and thus left us as a hero. Unfortunately, the sense of mortal danger essential to enriching the scene was missed in the case of other characters such as Jamie, Brienne or Tormund, who thus became background characters protected by a landmark armor surrounded by hundreds of Dead.
A rare exception was Arya, who turned the episode into the main character of the episode, as the action progressed. If Arya, Nobody, an experienced and cold-blooded warrior without a face, we could see her fighting with the Dead, as well as in the acrobatics. But her best scene and one of the best scenes of the episode begins after Arya is hurt, and she is forced to retreat from the upcoming hordes. Taken into the corridors of the fort, Arya turns from the hunter to prey, and the spectacle and action of the battle are replaced by the anger of survival horror. This is an interesting and unexpected, and certainly a welcome subversion, since the well-known huts of Ostrozimlje, which we had the opportunity to watch over the past seasons, now get a new perspective. Instead of the favorite characters, the Dead are wandering in the corridors, and the library becomes a zone of mortal danger, while Arya sneaks with shadows. After the injury, she is no longer an unstoppable killer, but a frightened little girl who is aware that the danger is everywhere around her. Her only way out of this high-risk situation is an escape.
If Death was to be ruled by Ozroziml, we can see it at another closed location, wherein the crypts of Sansa and Tyrion we hear the screams of unfortunate defenders on the other side of the massive door. This is also an opportunity for a rare contemplative moment of the episode, where two characters recall past, agreed marriage, and some calmer times. The question arises as to whether this is an honest conversation, or does Sansa, even in this situation, think of a post-battle period, and is trying to get the Queen's Emperor to his side?
Trapped in the crypts of Ostrozimlja, Sansa is powerless to help her sister. Fortunately for Aryu, in her help, Beric and Dog arrive in the last minute. After Beric is sacrificed to save Arya, she encounters Melisandra. The red woman, who presided over this meeting, now explains Aryi, that Berisha's resurrection had one goal - this moment - rescue Arye. Melisandre is a Nobody in Arya reminding her of the words of her old fencing instructor, Sylvia Forella ("What do we say to the god of death?" "Not today"), while Arya goes to sprint.
... and Winter came and passed ...
No less drama is happening in the sky above Ozrrozimlja. The snowstorm separated Jon and Dany, which the Night King used. Viserion attacks Rhaegala, and there is a fierce battle in the air. Finally, Jonah rescues Dany, who throws out the Night King from Viserion, and he falls to the ground. Of course, the fall from high altitude does not strike the Night King but leaves it in a vulnerable position to Dany finally complete the plan. Namely, the whole plan is reduced to the dragon's flame, since the Night King is one of the White Walkers (who are vulnerable to fire). But as Dany's shocking revelation reveals, this is not a common White Walker, and after the fall of Drogon (who is forced to escape in the midst of the attack of the Dead), Dany also ends on the ground, while the Night King moves smoothly toward Ozrozimil and his goal: Without a dragon, Jon remains, after he unsuccessfully attempts to stop the leader of the Dead, and he and the viewers watch powerlessly from the worst situation to a pure horror. Because the Night King raises dead defenders to join his legions, outside and in the middle of Ozrozimlja (!) This leads to an even greater massacre, because there are already many legions, now unpredictable, and the defender is getting smaller.
And this time, no one is sure what Tyrion and Sansa reveal after the dead is in the crypt (logically). But there is no time to question the "ingenious" choice of shelter because the Dead immediately turn to attack. Unfortunately, the potential of this situation has been weakened since all the main characters are safe, while the unfortunate ones get redshirted. As Jon hides from the wounded but angry Viseryon, the Night King, surrounded by the White Walkers, enters Godswood, and after a brave but at the peril of the condemned resistance of Theon and his Iron, it shows that he who is dead can still die. Although Theon's suicide assault was unnecessary, the last forgiveness with Bran was a powerful scene, as well as the much-desired forgiveness of Prince Ostrozlim. The Theon's loss was not the only major loss in the last moments of the battle, since the end of a brave and faithful Ser-Jorah, who sacrificed himself for Dany, after eliminating the hordes of the Dead. Despite the heroic resistance of all our heroes, the Night King has won, to the point of a helpless Trooke crow. But despite his superhuman power and supernatural powers, the Night King did not count on one weakness. And this weakness is no less than Arya, who at the last moment saved her with a leap to the Vrana and thus Live, and drew the dagger into the Night King. This act did not eliminate only the leader of the Dead but sent the White Walkers, Viserion, and Legions of the Dead into the debris. And thus the battle was brought to an end, the great losses of the Living, yet with their victory, while the Winter ended, and before it started. We do not know if this really was R'hallor's will, but it seems that it is, since Melisandra, after this victory, decided to go to the snow, and before the shocked Ser Davos, removed her magic necklace, and joined the dead.
We do not know if this really was the will of R'hallor, but it seems that, since Melisandra, after this victory, decided to go to the snow, and before the shocked Ser Davos, removed her magic necklace, and joined the dead.
The battles that follow
"The Long Night" was a really impressive episode as far as visuals are concerned. Unfortunately, this was not the case for the narrative, nor for the decisions of the episode, which directed the "Throne Game" to what might be a weaker end. What is the damage, because the series had the potential, which in the last episodes was increasingly unused, that now in what was a monumental moment, it remained unused. The response of some viewers to these reviews will be a different nature and narrative of a series than the one from books. It would be true that the series itself has been countless times emphasized and announced the conflict with the Dead as a central conflict. This great and important event, which was expected for years and earned the whole season, began and ended in just one episode, and the idea of fighting for the fortune, the Iron Throne, the shallow and ego-centric clashes of the cease, and that both sides unite in an attempt to stop the danger of the greater of everything seen so far, it has been subverted in the worst possible way. The night king, the mysterious villain, and the biggest threat to Westeros, and to the Living, remained a flat figure, with poor motivation. White walkers did not have the opportunity to do anything except to look silly. Bran, i.e. The crowd of crows is now only a paralyzed boy since his main role is fulfilled. The "battle of all battles" that ended before it started, and the Army of the dead, as long as it was portrayed as a dangerous enemy, caused relatively small losses, if we do not count on a few minor, and a lot of unnamed characters. All the main heroes, survived the battle, ready for the battles that will follow. There is an additional problem since the upcoming conflicts will have much less impressive. And the question is whether there is a Starkov-Targaryen alliance of forces for a new battle, at least if we think about it. Because the battle against the Dead ended with huge losses for the defenders. The cavalry of Dothraki was lost, like most of the Neoclassified, and we had the opportunity to see the vast majority of other warriors.
After this battle, we have three episodes until the end of the season, and the entire saga. What is the end of us waiting for? And can the series continue to maintain the momentum after the central conflict is resolved? Will the "real" end be good enough and satisfactory, after this spectacle? And what will be the future of Westeros, now that the focus is returned to the "Game of Thrones"? It's hard to say. What is certain is that the "battle of all battles" (and thus the "central" conflict) ended ... by the whip.
As far as it was wrong, you burn the flames (cavalry) at night, and their quenching was one of the best visual scenes of the episode.
The visual dragon was also the flight of dragons under the light of the moonlight. Unfortunately, this was one of the few visible moments in this really dark episode.
The dark episodes were probably the result of a budget constraint. At the same time, poor visibility gave the impression of chaos and opacity of the battle, and thus strengthened the feeling of uncertainty, chaos, and disorientation during the battle. It is possible that this was precisely the intention.
The crowd/crowd was mostly passive during the battle, as he wrung into crows. The question is, what was the purpose of this practice, apart from invoking the Night King. Did Bran know that Arya would save him at the last minute?
The arrival of Melisandra was expected. Unfortunately, it was not answered that the Red Woman worked during her stay in Volantis. And did she even go over the Usky Sea? Or was she wandering Westeros?
Where was Davos all the time? After an unsuccessful attempt at signaling at the beginning of the episode, Davos did not show up to the end. What did he do during the battle?
We had a rare and short chance to see the Spirit during the cavalry attack. But what happened to the scary man after the assailant collapsed. We know he's alive since we can see him in the trailer for the next episode.
Varys was also sent to the crypts of Ostrozimlje. This is an expected decision, but also a worrying one. Because it seems that one of the most interesting and rare surviving side characters has now become powerless. We hope to see his role in the next episodes. Although, judging by the way in which ancillary minor characters are eliminated, Varys could leave us soon. By Mel's departure, it seems that we will not reveal what R'hallor intended for his purpose.
Arya killed the Night King with a Valery steel dagger. This is a dagger by which Malopsty originally attempted to eliminate Brana, an act initiated by the war between Starck and Lannister. The dagger returned Malopsts to Bran, who later gave him Sansa. She gave it to Aryi. This is a small but interesting detail, which reinforces the scene, and highlights the important role of the Trooke Crow in resolving the conflict.
Although the scene was striking, it remains unclear whether Melisandra and her decision to take off the necklace and die as a consequence of the elimination of the Night King or Rhallor's decision.
After the elimination of the Night King, is it possible that Arya, Azor Ahai, (Prince) is the promised promise? The whole deal with Melisandra was related to this prophecy, and (after a mistake with Stannis) she was convinced that they were Jon or Dany who were promised. Or did the scriptwriters forget about this?
A small but interesting detail was Missandei who stood in defense of Dany. This was a great opportunity for another powerful scene, between the adviser of the Queen of Zmaj and Sanse, which was missed. At the same time, this is a reminder that whatever the dead are victorious, the old arguments have not stopped.
Sony Pictures has released a new trailer and posters for Men in Black: International, reboot popular MIB / People in Black. This time, instead of Will Smith and Tommy Lee Jones, Chris Hemsworth and Tess Thompson are in the lead roles of a dynamic duo.
Tessa Thompson is agent M, a novice in the ranks of a secret alien surveillance agency, and she, like Smith, in the first film portrays the reality of aliens and lives on Earth, only with skillful camouflage. Chris Hemsworth interprets the best of the best that the agency has to offer; he is Agent H and at the same time is a new partner of Agent M. Two agents will be in the fight against enemies within the organization itself. The catalyst of the film is the murder of an alien government representative, so H and M agents have the task of catching a killer and discovering a mole in their organization that helped in the assassination. Liam Neeson interprets the head of the London office of the agency, while Emma Thompson returns to the role of the chief of an organization as an agent of O. The other major roles are interpreted by Rebecca Ferguson, Kumail Nanjiani, Rafe Spall, Laurent Bourgeois, and Larry Bourgeois.
The film's director is F. Gary Gray (Straight Outta Compton), and the script is signed by Art Marcum and Matt Holloway (Iron Man). The executive producers are Barry Sonnenfeld who directed the first three films and Steven Spielberg.
Men in Black: International in Theaters arrives on June 14th.
As announced today, Alien: Ore, the fourth short film from the collection, six of which 20th Century Fox chose to mark the 40th anniversary of the cult film Alien, was released.
Alien: Ore was written and directed by Spear Sisters. The main roles are interpreted by Mikel Jay and Daly Brand. Special effects were made by Image Engine (District 9, Elysium, Chappie). As an extremely valuable miner of the planet with the mining colony, Lorraine seeks to improve the life for her daughter and grandchildren. When her shift reveals the death of a colleague under mysterious conditions, she is forced to choose between escaping and deafening on orders and clashes with her own fears to fight for the safety of her family.
The idea for this short film actually came out of the following:
load: twenty million tons of mineral ores
way: return to Earth
Ore has now proved to be the best short film of the project. With heroin at the center of the story, you're cheering on, as well as before. The film delivers a satisfactory level of horror, and an exceptionally good setting and atmosphere, which seems to be an integral part of a big blockbuster. The protagonists are also at the height of the task, and you will also get a glimpse of the real perfect adult Alien.
The exclusive show of the first four films was already held within the Emerald City Comic Zone on March 15, and then on March 23 as part of the Chicago Comic & Entertainment Expo. The last two films were screened on March 30 at WonderCon, and projections were accompanied by a special panel.
For a wide audience, short films are published on a weekly basis at IGN. On AlienUniverse.com and Alien Anthology, social channels films will arrive on May 3rd and will be accompanied with materials behind the camera.
The remaining two films on the IGN arrive at the Alien Day:
26.04. ALIEN: Harvest - the surviving crew of the damaged ship has only minutes to reach the evacuation capsule. The motion sensor is the only tool that navigates them to safety, while the shadow will terrorize the crew. But the biggest threat could be hidden right in front of their eyes ... The film was directed by Benjamin Howdeshell.
26.04. ALIEN: Alone - Hope, an abandoned member of the stranded ship, Otranto spent the year trying to keep the boat and herself alive while both slowly decaying. After discovering a hidden cargo, he will risk everything to bury the broken ship ... The film was written and directed by Chris Reading.
THE THIRD THIRTEENTH EPISODE OF THIS SHORT-TERM CREATIVE SERIES IS INCREASED FOR TWO WEEKS.
Quietly, in the shadow of other CW's more popular series such as Jane, Arrow, and Supernatural, their last chapter will also see the unusual detective iZombie. The network announced its first trailer for the fifth season whose thirteen episodes start on May 2, ahead of the premiere.
Unfortunately, this little gem of Thomas has never achieved his full potential, but he still entertained us for five seasons at CW. It was difficult to deal with comparisons with Veronica Mars, but that was pretty dishonest to iZombie, a series that did not want to wear that cross on the back. OK, now we are a little overlapping with comparisons, but iZombie is a candy that CW renewed year after year and we enjoyed every second of this wonderful series. What we will miss most is a wonderful cast, while Rob Thomas is waiting for the summer - in the new adventures of Veronica Mars.
Today, as part of the Star Wars Celebration event on The Mandalorian's panel, new series-related details have been revealed. But first, we will repeat what is already known. It's a Star Wars series that is being signed and produced by Jon Favreau (Iron Man, The Lion King). The first episode is Dave Filoni (Star Wars: The Clone Wars), while other episodes are directed by Deborah Chow (Jessica Jones), Rick Famuyiwa (The Wood, Dope), Bryce Dallas Howard (Soulmates) and Taika Waititi (Thor: Ragnarok).
The series consists of eight episodes, in which we will play the main role of Pedra Pascal (Narcos, Game of Thrones) as a hunter on the head. Other roles are interpreted by Gina Carano, Carl Weathers, Giancarlo Esposito, Emily Swallow, Omid Abtahi, Werner Herzog and Nick Nolte. The first episode of the series will be available on the Disney + platform but on the first launch date, or November 12th.
"The Mandalorian is a mysterious, lonely revolver/head hunter who operates on the outer edges of the galaxy. Some might say that the person is a questionable moral character, something in the line of those in the best wisdom and good movies about samurai. And he is a wicked figure, "said Pedro Pascal.
He is flying with the ship The Razorcrest, which has a reflective surface and is spoiled by wicked artillery. The main character resembles Bob Fetta, but he is not. The series is set for five years after the Return of the Jedi film and follows an experienced character from the same warrior tribe as well as a famous head hunter whose story ended up in Sarlac's Tatooine Dam.
Cara Dune is the name of a character interpreted by Gina Carano (Deadpool). One of the photos reveals her character who has some difficulty in reintegrating into society. Carl Weathers (Apollo Creed) interprets the character - Greefa Kargu. It is he who hires the Mandalorian for a dangerous mission. "He is looking for someone who will go for the extremely valuable product he wants his client. And he will find a hunter on his head called Mandalorian. He will hire and send him where to go, and Mando will do what he has to do, "Weathers said.
Interestingly, the well-known 501. Stormtrooper Legia, a group of fans who film their own faithful replicas with their costumes, is recruited for shooting purposes. Favreau promised new planets, new aliens, and new ships, but with a recognizable world.
Almost a year after the end of the third season of the fantasy drama series Lucifer, he finally arrived at the first teaser for the new season. The fourth season has a seasoned tagline "He rises", and it's even more convenient than the teaser was released exactly 666 hours before the upcoming season.
Lucifer is a series based on the character of The Sandman, created by Neil Gaiman, Sam Kieth, and Mike Dringenberg, and Mike Carey's spinoff strip series Lucifer, both released by Vertigo, DC Comics. The action follows Lucifer Morningstar, who, after losing his motivation to be the helper of hell, moves into the world of mortals, more precisely in Los Angeles trying to enjoy his "retirement". But after dangerous events, his neglect of the "original" work begins to create problems, and with the help of a young police officer, he can solve cases that could help him with his problems and allow him to continue the peaceful immortal life.
In the fourth season, Lucifer is confronted with the consequences of Chloe's appearance of his right face, along with a real challenge. Eve, Eve who committed the first sin, returns, whether she wants a vengeance or something else we will only find out ...
The series spent three seasons on Fox, after which it was canceled. From the eternal hell of cancellation, Lucifer saved Netflix, and in June 2018, he jumped in the desire to please the many fans who were campaigning for #SaveLucifer for a new home for Tom Ellis series. Netflix thus concluded a contract with a devil or production company Warner Bros. Television that Lucifer will return to life, at least for the fourth season, through ten episodes that arrive on May 8th.
In the main role of Lucifer is the already mentioned Tom Ellis, Lauren German interprets the detective Chloe Decker, and in the role of Eve, we will watch Inbar Lavi. Other roles include Kevin Alejandro, D.B. Woodside, Lesley-Ann Brandt, Aimee Garcia, and Rachael Harris.
4/12/2019 0 Comments
When Disney bought Star Wars in Lucasfiction's acquisition, the goal was to release at least one movie every year, and now plans have changed.
In an interview with Bloomberg, Disney's President Bob Iger discovered that Star Wars: Episode IX would be the last Star Wars movie before a break that he does not know exactly how long it will take:
We did not announce any movie plans afterward. There are films in development, but we have not announced them. But I think we'll squeeze the pause and take some time to reset because the Skywalker saga ends with this ninth movie. There will be other Star Wars movies, but again, I think we will end up in a period where we will have a certain void. "
There are other Star Wars movies currently under development, including a new trilogy featuring Ryan Johnson (The Last Jedi), as well as a separate new movie series featuring David Benioff and D.B. Weiss (Game of Thrones). But if it is to judge the news, then none of these films will arrive in the cinema in the near future.
There is no need to fear that Star Wars material will be a shortage. On the Disney +, they arrive on the SW play series, made specifically for that streaming platform. One, for now, includes The Mandalorian, and the unconvinced Rogue One priced series, where we will have the opportunity to watch again / listen to Diego Luna and Alana Tudyka. Disney + launches its service in November 2019, and Star Wars: Episode IX for which we finally got the official title Star Wars Celebration - Star Wars: The Rise of Skywalker and the first teaser coming to China on December 20th.
In the movie Star Wars: Episode IX, they are made by Daisy Ridley, John Boyega, Adam Driver, Oscar Isaac, Mark Hamill, Carrie Fisher, Kelly Marie Tran, Anthony Daniels, Domino Gleeson, Lupita Nyong'o, Billie Lourd, Dominic Monaghan, Matt Smith, Richard E. Grant, Naomi Ackie, and Keri Russell and Joonas Suotamo.
The film does not go straight to the past, or to The Last Jedi, but has a certain unspecified time lag. The new face, Naomi Ackie (Lady Macbeth), confirmed that she interpreted the figure of Jannah - "The original team is going on an epic adventure and so I'm excited about where the Jannah will be on that road." Rose Tico got up and went out of nowhere it serves the resistance movement. "I was so thankful for the many things Rian Johnson did in Episode VIII. But the biggest of them is definitely killing Kelly Marie. "- J.J. Abrams. When we were already in the panel with the panel we discovered new unusual creatures, from which we highlight - Klad. He is a friend of the Movement of Resistance and has brought him less or less than Chewie.